AVAILABLE DECEMBER 6TH!

LEE “SCRATCH” PERRY     –      HEAVY RAIN     –      PRE-ORDER HERE

A dub companion to the critically-acclaimed Rainford album that sees the Upsetter and co-producer Adrian Sherwood radically re-version the original tapes with a host of guest musicians including Brian Eno and Vin Gordon. 

If Rainford is 2019’s Roast Fish, Collie Weed & Corn Bread then Heavy Rain is it’s Super Ape.

As well as highlighting the deft musicianship of the original backing band on the Rainford sessions (which include core On-U luminaries from Creation Rebel, Tackhead and Dub Syndicate) these re-works also invite some further players into the cosmic mix. Brian Eno makes an unexpected right channel entry into “Here Come The Warm Dreads”, a heavily processed sound system overhaul of Rainford highlight “Makumba Rock”, cheekily re-titled as a nod to Eno’s own debut solo album. This completes a circle started in 1981 with African Head Charge’s My Life In A Hole In The Ground similarly referencing the contemporary collaboration between Eno and David Byrne, and their “vision of a psychedelic Africa”. 

Elsewhere, legendary trombonist Vin Gordon (one of the hornsmen on Bob Marley & The Wailers Exodus amongst many other classic sides) lends his distinctively woozy blowing to tracks such as “Rattling Bones And Crowns” (a late night flipside to “Kill Them Dreams Money Worshippers”) and “Crickets In Moonlight” (“Cricket In The Moon” refracted through some beautifully louche late summer heat haze lens). On the closest the album has to a title track, “Heavy Rainford” strips back the narrative from “Autobiography Of The Upsetter” to ride the rhythm with all sorts of mixing desk tricks, anchored by the killer “I Am The Upsetter” hook from LSK. 

It’s important to note that it’s not all Rainford re-works though: “Dreams Come True” and “Above And Beyond” are Scratch and Sherwood originals, heard here for the first time and equally strong material for this purple patch in the career of an unstoppable Jamaican maverick and true musical pioneer.  

 

Praise for Rainford:

“A dub icon’s victory lap” – Rolling Stone 

“The tandem of Perry and Sherwood saddling up again elicits some of Sherwood’s furthest-in-leftfield productions and Perry’s most affecting musings.”NPR  

“Rainford, with production from On-U Sound’s Adrian Sherwood, is a classic set of Scratch vocals: science fiction nursery rhymes, apocalyptic lullabies, their melodies light as air yet rocksteady” – The Wire

“A reminder of the radical, destabilising trajectory that dub veered towards early on, escaping the bounds of the Jamaican studios in which it was birthed and disrupting pretty much all other genres of music it came across.” – The Quietus

“This explosive, jaunty offering shows Perry at his songwriting best” – The Times